demolition

Act as an architectural visualization expert specialized in building design and home renovation. Your task is to create a storyboard consisting of 10 frames arranged in a 5x2 grid (two rows of five columns). Each frame should have a 9:16 aspect ratio in a vertical format. Maintain consistent camera positions and shooting angles across all images. The storyboard should reflect a progressive change in construction status, with each subsequent frame building upon the previous one (image-to-image progression).

Ensure continuity between frames by adhering to the following principles:

1. **Technical Specifications**: Include detailed camera settings, lighting parameters, and composition requirements.
2. **Precise Positioning**: Use a grid coordinate system to ensure element consistency in location.
3. **Controlled Changes**: Each frame should allow only specified additions or removals.
4. **Visual Consistency**: Keep camera positions, lighting angles, and perspective relations fixed.
5. **Construction Sequence**: Follow a logical and realistic sequence of construction steps.
6. **Removal Constraints**: Only remove debris and dilapidated items.
7. **Addition Constraints**: Only add useful furniture, plants, lighting, or other objects, which must remain fixed in position.

Overall aspect ratio of the storyboard is 45:32, and no text should appear within the images.

**Special Requirement**: Rewrite the storyboard prompts adhering to a strict reduction principle: only remove elements based on the existing structure. After all elements are removed, revert the foundation to a natural, unkempt state. No new elements can be added, except in the final step when the ground is reverted.

**Storyboard Sequence** (Top Row Left→Right, Bottom Row Left→Right):

[Row 1, Col 1] Frame 1: Complete villa with ALL interior furniture (sofas, tables, chairs), curtains, potted plants, rugs, artwork, outdoor loungers, umbrella, manicured green lawn, flowering beds, glass curtain wall, finished facade. Background: snow-capped mountain and century-old trees (green and healthy).

[Row 1, Col 2] Frame 2: REMOVE ALL soft furnishings - furniture, curtains, potted plants, rugs, artwork GONE. Rooms are empty but floors/walls/ceilings remain finished. Terrace is bare stone, flower beds are empty soil patches. Mountain and trees unchanged.

[Row 1, Col 3] Frame 3: REMOVE ALL interior finishes - floor tiles/wood, wall paint/plaster, ceiling tiles, light fixtures GONE. Raw concrete floors and rough wall substrates visible. Open concrete soffits overhead. Mountain and trees unchanged.

[Row 1, Col 4] Frame 4: REMOVE entire glass envelope - ALL glass panels, window frames, door frames, exterior cladding, insulation GONE. Building is fully open, revealing internal steel/concrete columns against the lawn. Mountain and trees unchanged.

[Row 1, Col 5] Frame 5: REMOVE non-structural masonry - ALL partition walls, infill walls, parapets GONE. ONLY primary structural skeleton remains: bare upright concrete columns, steel beams, and floor slabs forming an empty grid frame. Mountain and trees unchanged.

[Row 2, Col 1] Frame 6: Frame COLLAPSES to rubble - columns/beams/slabs fall to ground forming scattered debris pile (concrete chunks, twisted rebar, broken steel). Concrete foundation partially visible through debris. Upright framework GONE. Mountain and trees unchanged.

[Row 2, Col 2] Frame 7: REMOVE ALL debris - concrete chunks, rebar, steel, waste CLEARED. Lawn debris-free. Entire concrete foundation fully exposed as clean rectangular block on ground. Mountain and trees unchanged.

[Row 2, Col 3] Frame 8: REMOVE concrete Foundation - foundation slab DEMOLISHED and COMPLETELY REMOVED. Empty excavated pit remains with compacted soil/bedrock at bottom. No concrete remains. Mountain and trees unchanged.

[Row 2, Col 4] Frame 9: REMOVE artificial landscape - terrace paving, concrete driveway, manicured lawn, cultivated soil ALL REMOVED. Pit filled back to original grade. Site becomes flat field of natural uncultivated soil and earth. Mountain and trees unchanged.

[Row 2, Col 5] Frame 10: RESTORE ground to natural state - flat soil transforms to rugged uneven terrain with exposed rocks, dirt patches, scattered dry weeds. Ground appears untamed and messy. Snow-capped mountain and century-old trees remain IDENTICAL in position, shape, and foliage color (still green and healthy). Bright natural daylight persists throughout.

**CRITICAL SUBTRACTION LOGIC:**
- Frames 1-9: Can ONLY REMOVE elements present in previous frame. NO additions allowed.
- Frame 10: RESTORE ground from artificial to natural state only.

**Visual Anchors**: The background mountain silhouette and foreground century-old trees must maintain IDENTICAL position, size, shape, and foliage color (green and healthy) in ALL FRAMES. These serve as reference points for visual continuity.

**Lighting Consistency**: All frames must use bright, natural daylight. No dark, gloomy, or stormy lighting, especially in final frame.

**Camera Stability**: Use identical camera angle, composition, and depth of field across all frames. Viewing perspective must be locked.

Create a 5x2 storyboard depicting the reverse construction process of a modern villa. Each frame is vertical with a 9:16 aspect ratio, arranged in 2 rows and 5 columns, resulting in a total storyboard aspect ratio of 45:32. The sequence progresses from left-to-right, top-to-bottom.

FRAME SEQUENCE:

[Row 1, Col 1] Frame 1: Showcase the complete villa with ALL elements intact - indoor furniture, curtains, potted plants, rugs, artwork, outdoor loungers, umbrella, manicured lawn, flowers in bloom, glass curtain wall, and a finished facade. Snow-capped mountain and century-old trees in the background, unchanged.

[Row 1, Col 2] Frame 2: REMOVE ALL FF&E (Fixed Furniture, Fixtures & Equipment) - all furniture, curtains, potted plants, rugs, and artwork are GONE. Rooms appear empty, though floors, walls, and ceilings are still finished with tiles/wood/paint. The terrace is bare stone, and flower beds are now just empty soil.

[Row 1, Col 3] Frame 3: REMOVE ALL interior finishes - floor tiles/wood, wall paint/plaster, suspended ceiling tiles, light fixtures, switches, and sockets GONE. Rooms display raw concrete floors and rough wall substrates, with open concrete soffits visible overhead.

[Row 1, Col 4] Frame 4: REMOVE the entire glass envelope - ALL glass panels, window frames, door frames, exterior cladding panels, insulation layers GONE. The building is fully open, revealing internal steel and concrete columns and beams directly against the lawn.

[Row 1, Col 5] Frame 5: REMOVE non-structural masonry - ALL interior partition walls, exterior infill walls, parapets, dry-lining, and cladding attachments GONE. ONLY the primary structural skeleton remains: bare upright concrete columns, steel beams, and floor slabs forming an empty grid frame.

[Row 2, Col 1] Frame 6: REMOVE structural frame via collapse - the upright columns, beams, and floor slabs COLLAPSE to the ground, forming a scattered rubble pile of concrete chunks, twisted rebar, and broken steel sections. The concrete foundation is partially visible through the debris. The upright framework is GONE.

[Row 2, Col 2] Frame 7: REMOVE ALL debris and waste - ALL concrete chunks, rebar, steel sections, and waste material are CLEARED. The lawn is debris-free. The entire concrete foundation is fully exposed as a clean, intact rectangular block sitting on the ground.

[Row 2, Col 3] Frame 8: REMOVE concrete Foundation - the entire foundation slab is DEMOLISHED and COMPLETELY REMOVED. An empty excavated pit remains, showing compacted soil or bedrock at the bottom. No concrete remains in the frame.

[Row 2, Col 4] Frame 9: REMOVE artificial landscape elements - terrace paving stones, concrete driveway slab, manicured lawn grass, and cultivated soil ALL REMOVED. The excavated pit is filled back to its original grade. The site becomes a flat field of natural, uncultivated soil and earth.

[Row 2, Col 5] Frame 10: RESTORE ground to natural state - the flat soil transforms into rugged, uneven terrain with exposed rocks, dirt patches, and scattered dry weeds. The ground appears untamed and messy. The snow-capped mountain and century-old trees remain IDENTICAL in position, shape, and foliage color (still green and healthy). Bright natural daylight persists.

CRITICAL CONSTRAINTS:
1. SUBTRACTION LOGIC: Frames 1-9 can ONLY REMOVE elements present in the previous frame. NO additions or new objects are allowed. Each frame is strictly derived by subtracting from the prior frame.
2. PERMANENT VISUAL ANCHORS: The mountain silhouette and the two century-old trees must maintain IDENTICAL position, size, shape, and foliage color (绿色健康) in ALL FRAMES. These elements serve as reference points to ensure visual continuity.
3. LIGHTING CONSISTENCY: All frames must use bright, natural daylight. No dark, gloomy, or stormy lighting, especially in the final frame.
4. CAMERA STABILITY: Use identical camera angle, composition, and depth of field across all frames. The viewing perspective must be locked to maintain coherence.