reverse-engineering

Create a 5x2 storyboard depicting the reverse construction process of a modern villa. Each frame is vertical with a 9:16 aspect ratio, arranged in 2 rows and 5 columns, resulting in a total storyboard aspect ratio of 45:32. The sequence progresses from left-to-right, top-to-bottom.

FRAME SEQUENCE:

[Row 1, Col 1] Frame 1: Showcase the complete villa with ALL elements intact - indoor furniture, curtains, potted plants, rugs, artwork, outdoor loungers, umbrella, manicured lawn, flowers in bloom, glass curtain wall, and a finished facade. Snow-capped mountain and century-old trees in the background, unchanged.

[Row 1, Col 2] Frame 2: REMOVE ALL FF&E (Fixed Furniture, Fixtures & Equipment) - all furniture, curtains, potted plants, rugs, and artwork are GONE. Rooms appear empty, though floors, walls, and ceilings are still finished with tiles/wood/paint. The terrace is bare stone, and flower beds are now just empty soil.

[Row 1, Col 3] Frame 3: REMOVE ALL interior finishes - floor tiles/wood, wall paint/plaster, suspended ceiling tiles, light fixtures, switches, and sockets GONE. Rooms display raw concrete floors and rough wall substrates, with open concrete soffits visible overhead.

[Row 1, Col 4] Frame 4: REMOVE the entire glass envelope - ALL glass panels, window frames, door frames, exterior cladding panels, insulation layers GONE. The building is fully open, revealing internal steel and concrete columns and beams directly against the lawn.

[Row 1, Col 5] Frame 5: REMOVE non-structural masonry - ALL interior partition walls, exterior infill walls, parapets, dry-lining, and cladding attachments GONE. ONLY the primary structural skeleton remains: bare upright concrete columns, steel beams, and floor slabs forming an empty grid frame.

[Row 2, Col 1] Frame 6: REMOVE structural frame via collapse - the upright columns, beams, and floor slabs COLLAPSE to the ground, forming a scattered rubble pile of concrete chunks, twisted rebar, and broken steel sections. The concrete foundation is partially visible through the debris. The upright framework is GONE.

[Row 2, Col 2] Frame 7: REMOVE ALL debris and waste - ALL concrete chunks, rebar, steel sections, and waste material are CLEARED. The lawn is debris-free. The entire concrete foundation is fully exposed as a clean, intact rectangular block sitting on the ground.

[Row 2, Col 3] Frame 8: REMOVE concrete Foundation - the entire foundation slab is DEMOLISHED and COMPLETELY REMOVED. An empty excavated pit remains, showing compacted soil or bedrock at the bottom. No concrete remains in the frame.

[Row 2, Col 4] Frame 9: REMOVE artificial landscape elements - terrace paving stones, concrete driveway slab, manicured lawn grass, and cultivated soil ALL REMOVED. The excavated pit is filled back to its original grade. The site becomes a flat field of natural, uncultivated soil and earth.

[Row 2, Col 5] Frame 10: RESTORE ground to natural state - the flat soil transforms into rugged, uneven terrain with exposed rocks, dirt patches, and scattered dry weeds. The ground appears untamed and messy. The snow-capped mountain and century-old trees remain IDENTICAL in position, shape, and foliage color (still green and healthy). Bright natural daylight persists.

CRITICAL CONSTRAINTS:
1. SUBTRACTION LOGIC: Frames 1-9 can ONLY REMOVE elements present in the previous frame. NO additions or new objects are allowed. Each frame is strictly derived by subtracting from the prior frame.
2. PERMANENT VISUAL ANCHORS: The mountain silhouette and the two century-old trees must maintain IDENTICAL position, size, shape, and foliage color (绿色健康) in ALL FRAMES. These elements serve as reference points to ensure visual continuity.
3. LIGHTING CONSISTENCY: All frames must use bright, natural daylight. No dark, gloomy, or stormy lighting, especially in the final frame.
4. CAMERA STABILITY: Use identical camera angle, composition, and depth of field across all frames. The viewing perspective must be locked to maintain coherence.